Brand Manual for German News Media Brand
My Brand Guidelines for WELT

During my time at WELT from 2019, I worked across UI and motion design, translating the brand’s visual language into apps, broadcast graphics, and other formats. Working with the brand team, I also helped develop practical guidelines for colleagues and external partners.
The 2023 Brand Manual brought these rules together to support consistent design decisions across everyday production.

The manual provides a practical framework for applying WELT’s identity across print, TV, and digital products.
WELT shows up everywhere: television studios, apps, websites, print products, social media, and physical merchandise. In a fast-paced news environment, consistency can quickly break (and very often does) not because people don’t care, but because teams need answers that work under pressure.
The goal of the Brand Manual was to reduce ambiguity and speed up confident decision-making. It brings the essentials into one coherent system:
- 01precise logo usage and edge cases
- 02color logic across print, screen, and broadcast
- 03typography rules that scale from headlines to UI
- 04naming conventions and writing style across products
- 05a structured product-logo ecosystem

The centerpiece is the WELT logo - including the characteristic lowercase “e” - treated as a system, not just a mark. The guide defines when to use the positive, negative, or tile version, and makes the don’ts explicit (no recoloring, distortion, decorative misuse, or improvised tiles). This matters because the logo appears in countless contexts, often produced quickly, often by different teams. Clear guardrails protect recognition.

Color is handled with the same intent. WELT Blue remains the anchor, supported by WELT Orange as an activating accent and a structured set of secondary colors for charts, formats, and thematic content - with values that hold up reliably across media.
WELT-Blue
Primary
RGB 0, 58, 90
Derived preview, not documented project tokens.
#E6EBEF
#B3C4CE
#809DAD
#406B83
#003A5A
#002E48
#002336
#001724
#000C12
WELT-Orange
Accent
RGB 241, 136, 37
Derived preview, not documented project tokens.
#FEF3E9
#FBDBBE
#F8C492
#F5A65C
#F18825
#C16D1E
#915216
#60360F
#301B07
Blue-Light
Secondary
RGB 36, 110, 167
Derived preview, not documented project tokens.
#E9F1F6
#BDD4E5
#92B7D3
#5B92BD
#246EA7
#1D5886
#164264
#0E2C43
#071621
Greige-Fond
Fond
RGB 237, 236, 232
Derived preview, not documented project tokens.
#FDFDFD
#FAF9F8
#F6F6F4
#F2F1EE
#EDECE8
#BEBDBA
#8E8E8B
#5F5E5D
#2F2F2E
Türkis
RGB 0, 114, 143
Derived preview, not documented project tokens.
#E6F1F4
#B3D5DD
#80B9C7
#4095AB
#00728F
#005B72
#004456
#002E39
#00171D
Koralle
RGB 232, 70, 30
Derived preview, not documented project tokens.
#FDEDE9
#F8C8BC
#F4A38F
#EE7456
#E8461E
#BA3818
#8B2A12
#5D1C0C
#2E0E06
Sky-Blau
RGB 66, 140, 229
Derived preview, not documented project tokens.
#ECF4FC
#C6DDF7
#A1C6F2
#71A9EC
#428CE5
#3570B7
#285489
#1A385C
#0D1C2E
Lila
RGB 136, 54, 191
Derived preview, not documented project tokens.
#F3EBF9
#DBC3EC
#C49BDF
#A668CF
#8836BF
#6D2B99
#522073
#36164C
#1B0B26
Text on base colors
Contrast for black and white text. AA for normal text requires at least 4.5:1.
Typography adds the editorial voice: a modern, clear grotesk for precision paired with a display serif for weight and storytelling - with concrete usage rules so the system works for everything from TV graphics to digital UI and long-form text.
Typeface Specimen
Mark OT
One high-impact chapter for a newspaper is language: how we write WELT, how we refer to all the products - and where exceptions exist for readability in business contexts. These details aren’t “nice to have.” For a media brand that lives in words, consistency in naming is as important as consistency in layout.

The manual includes practical downloads (logo packages, templates, email signatures, backgrounds) and clear contact points for approvals, questions, and special cases - designed to support everyday work across departments and external partners. It’s a living system meant to reduce friction, not add it.
Sometimes the most impactful design work isn’t the loudest. It’s the structure that makes everything else work smoothly - and keeps a brand strong, even when production moves fast.
More to share soon!